Finding Plays

A highly subjective view in dramatic format of the relationship between Mozart and Salieri.

Wikipedia description: Biloxi Blues is a semi-autobiographical play by Neil Simon. It portrays the conflict of Sergeant Merwin J. Toomey and Arnold Epstein, one of many privates enlisted in the military stationed in Biloxi, Mississippi, seen through the eyes of Eugene Jerome, one of the other soldiers. This play is the second chapter in what is known as his Eugene trilogy, following Brighton Beach Memoirs and preceding Broadway Bound.

Here we are in 1880 darkest but British Africa as portrayed in old movies, plays and novels. Only with a difference. Both parody and spoof of the Victorian Empire and its rigid attitudes especially towards sex. There is Clive, a British functionary, his wife Betty (played by a man), their daughter Victoria (a rag doll), Clive's friend Harry an explorer, Mrs. Saunders who runs about dressed in a riding habit, Clive's son Edward who still plays with dolls and is played by a woman and Joshua a native servant who knows exactly what is really going on. What really is going on is a marvelous send up and a non-stop round robin of sexual liaisons. All this time the natives are restless in the background. The second act shifts to London in 1980 except for the surviving characters it is only twenty five years later and all those repressed sexual longings have evaporated along with the Empire.

In Fool For Love, situated at a seedy motel on the edge of the Mojave Desert, transient lovers May and Eddie spin around in a room in a relentless struggle for power and truth. Through recollections and dreams, multiple versions of a fierce and fatal love story are told. The Sad Lament of Pecos Bill on the Eve of Killing His Wife, another kind of love story in the form of a comic operetta, takes a distaff view of the Southwest's legendary cowpuncher and his mate Slue-foot Sue, with irreverent commentary on American heroes and heroics.

Winner of the 1984 Pulitzer Prize, David Mamet's scalding comedy is about small-time, cutthroat real esate salesmen trying to grind out a living by pushing plots of land on reluctant buyers in a never-ending scramble for their fair share of the American dream. Here is Mamet at his very best, writing with brutal power about the tough life of tough characters who cajole, connive, wheedle, and wheel and deal for a piece of the action -- where closing a sale can mean a brand new cadillac but losing one can mean losing it all. This masterpiece of American drama is now a major motion picture starring Al Pacino, Jack Lemmon, Alan Arkin, Alex Baldwain, Jonathan Pryce, Ed Harris, and Kevin Spacey.

The graduating seniors of a Seven Sisters college, trying to decide whether to pattern themselves after Katharine Hepburn or Emily Dickinson. Two young women besieged by the demands of mothers, lovers, and careers--not to mention a highly persistent telephone answering machine--as they struggle to have it all. A brilliant feminist art historian trying to keep her bearings and her sense of humor on the elevator ride from the radical sixties to the heartless eighties. Wendy Wasserstein's characters are so funny, so many-sided, and so "real" that we seem to know them from their Scene One entrances, though the places they go are invariably surprising. And these three plays--"Uncommon Women and Others," "Isn't It Romantic," and the Pulitzer Prize-winning "The Heidi" "Chronicles"--manage to engage us heart, mind, and soul on such a deep and lasting level that they are already recognized as classics of the modern theater.

Artie Shaugnessy is a songwriter with visions of glory. Toiling by day as a zoo-keeper, he suffers in seedy lounges by night, plying his wares at piano bars in Queens, New York where he lives with his wife, Bananas. Who is. Much to the chagrin of Artie's downstairs mistress, Bunny Flingus who'll sleep with him anytime but refuses to cook until they are married. On the day the Pope is making his first visit to the city, Artie's son Ronny goes AWOL from Fort Dix stowing a home made-bomb intended to blow up the Pope in Yankee Stadium. Also arriving are Artie's old school chum, now a successful Hollywood producer, Billy Einhorn with starlet girlfriend in tow, who holds the key to Artie's dreams of getting out of Queens and away from the life he so despises. But like many dreams, this promise of glory evaporates amid the chaos of ordinary lives.

Nominated for the Tony Award when it was first produced in 1984, Hurlyburly was immediately hailed as a classic American drama. This edition is the definitive version of the prize-winning author's most celebrated work, reflecting his continued exploration of the play through several productions-in particular the one he directed in 1988 at the Westwood Playhouse in Los Angeles-and his latest thoughts regarding the text. Now prize-winning playwright David Rabe has matched and deepened it with Those the River Keeps, an intense psychological exploration of Hurlyburly's most dangerous and enigmatic character. This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

When Harold Loomis arrives at a black Pittsburgh boardinghouse after seven years' impressed labor on Joe Turner's chain gang, he is a free man--in body. But the scars of his enslavement and a sense of inescapable alienation oppress his spirit still, and the seemingly hospitable rooming house seethes with tension and distrust in the presence of this tormented stranger. Loomis is looking for the wife he left behind, believing that she can help him reclaim his old identity. But through his encounters with the other residents he begins to realize that what he really seeks is his rightful place in a new world--and it will take more than the skill of the local "People Finder" to discover it.   This jazz-influenced drama is a moving narrative of African-American experience in the 20th century.

The scandalous reputation of Laclos's novel, first published in 1782, is based on its chilling portrayal of the mannered decadence and sexual cynicism of the French aristocracy in the last years of the ancien regime. Christopher Hampton has made a masterful adaptation for the stage of the conspiracy to corrupt a young girl barely out of her convent.

Based on a true story that stunned the world, and inspired by Giacomo Puccini's opera Madama Butterfly, M. Butterfly was an immediate sensation when it premiered in 1988. It opens in the cramped prison cell where diplomat Rene Gallimard is being held captive by the French government--and by his own illusions. He recalls a time when Song Liling, the beautiful Chinese diva, touched him with a love as vivid, as seductive--and as elusive--as a butterfly. How could he have known that his true love was, in fact, a spy for the Chinese government--and a man disguised as a woman? The diplomat relives the twenty-year affair from the temptation to the seduction, from its consummation to the scandal that ultimately consumed them both. M. Butterfly is one of the most compelling, explosive, and slyly humorous dramas ever to light the Broadway stage, a work of unrivaled brilliance, illuminating the conflict between men and women, the differences between East and West, racial stereotypes--and the shadows we cast around our most cherished illusions.

Play with music Characters: 8 males (5 black, 3 white) 2 black females Scenery: Unit set It's 1927 in a rundown studio in Chicago where Ma Rainey is recording new sides of old favorites. More goes down in the session than music in this riveting portrayal of rage, racism, the self hate and exploitation. "Searing ... funny, salty, carnal and lyrical.... Wilson has lighted a dramatic fuse that snakes and hisses through several anguished eras of American life. When the fuse reaches its explosive final destination, the audience is impaled by the impact." N.Y. Times. "Brilliant ... explosive! Dramatically riveting." Newhouse Newspapers. Winner New York Drama Critics Circle Award.

'night, Mother is a taut and fluid drama that addresses different emotions and special relations. By one of America's most talented playwrights, this play won the Dramatists Guild's prestigious Hull-Warriner Award, four Tony nominations, the Susan Smith Blackburn Prize, and the Pulitzer Prize in 1983. 'night, Motherhad its world premiere at the American Repertory Theater in Cambridge, Massachusetts, in December 1982. It opened on Broadway in March 1983, directed by Tom Moore and starring Anne Pitoniak and Kathy Bates; a film, starring Anne Bancroft and Sissy Spacek, was released in 1986.

Called the funniest farce ever written about a cast of itinerant actors rehearsing a flop called NOTHING'S ON.

The Normal Heart, set during the early years of the AIDS epidemic, is the impassioned indictment of a society that allowed the plague to happen, a moving denunciation of the ignorance and fear that helped kill an entire generation. It has been produced and taught all over the world. Its companion play, The Destiny of Me, is the stirring story of an AIDS activist forced to put his life in the hands of the very doctor he has been denouncing.

Marlene hosts a dinner party in a London restaurant to celebrate her promotion to managing director of 'Top Girls' employment agency. Her guests are five women from the past: Isabella Bird (1831- 1904) - the adventurous traveller; Lady Nijo (b1258) - the mediaeval courtesan who became a Buddhist nun and travelled on foot through Japan; Dull Gret, who as Dulle Griet in a Bruegel painting, led a crowd of women on a charge through hell; Pope Joan - the transvestite early female pope and last but not least Patient Griselda, an obedient wife out of Chaucer's Canterbury Tales. As the evening continues we are involved with the stories of all five women and the impending crisis in Marlene's own life. A classic of contemporary theatre, Churchill's play is seen as a landmark for a new generation of playwrights. It was premiered by the Royal Court in 1982.